Abstract
This study breaks new ground into the emerging discipline of sonic semantics and the study of language ideologies in postcolonial contexts. The case in point is the reggae sociality in Port Vila, Vanuatu, where young Pacific Islanders are forming new ways of socializing on the fragments of kastom ‘traditional culture’ and with an ambivalent stance towards the value system represented by jioj ‘church’. As a cultural keyword, reke ‘reggae’ offers a rich point for understanding local language-embedded ideologies, and also for understanding the status of Bislama, the national creole.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
