Abstract

A transatlantic literary form that refused to break with British cultural models and genealogy, the early American magazine had at its center the anonymous authority of the editor and a porous distinction between reader and author. Esteemed subscribers were treated as magnets to attract other subscribers, and subscribers were prompted to become contributors, giving these early American publications the appearance of public forums. This book reexamines these publications and their reach to show how magazine culture was a multivocal, as opposed to novel, culture. The book describes how those who invested considerable energies in this form—including some of the period's most important political and literary figures such as Charles Brockden Brown and Washington Irving—sought to establish a very different model of literary culture than what came to define American literary history and its scholarship. The book cautions against privileging novels or authors as the essential touchstones of American literary history and instead encourages an understanding of how the “editorial function” favored by magazine culture shaped reading and writing practices. Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, the book reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives.

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