Abstract
This paper analyzes a corpus of films that represent various journeys of illegal migrants. It focuses specifically on the role of the illegal migrant on the border, understood as both a place and a metaphor. After critically examining the notion of border, it explores the recurring characters in this particular kind of film: the illegal migrant who experiences the border, the Western man-in-crisis who is regenerated through contact with the Other, the immigration officer whose own stance toward the suffering of illegal migrants is questioned.
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