Abstract

In this paper, we discuss a research we investigated the production of Digital Mathematical Performance (DMP) involving Public Image of Mathematics (PIM). Basically, DMP refers to use of the arts and digital technology in teaching and learning mathematics. In this case, one produced music and digital videos to communicate ideas about infinity. We report a qualitative case study communicating itself through Arts-Based Research following our analysis of two of the seven DMPs produced by pre-service Mathematics teachers in a university`s mobilization knowledge course that was carried out at Sao Paulo State University (UNESP), campus of Sao Jose do Rio Preto. Audiovisual recording of the course’s classes, video analysis of conceptual DMPs, semi structured interviews and surveys and questionnaires composed the production and analysis of data. In terms of findings, we observed alternative PIMs, as those visions promotes feelings such as love and follows dynamic aspects, which regards to mathematics as a human endeavour. We also stress that DMP environment offered ways to contribute with pre-service Mathematics teachers’ education, as undergraduates were engaged in alternative use of digital media and the Arts while developing mathematical activities, forming thinking collectives of humans-with-media.

Highlights

  • In this paper, we investigated the production of Digital Mathematical Performance (DMP) involving Public Image of Mathematics (PIM)

  • We explored the very notion of digital mathematical performance (DMP), conceptualized as artistic mathematical digital narratives

  • As it is supported by the theoretical framework on DMP (BORBA; SCUCUGLIA; GADANIDIS, 2014; SCUCUGLIA; GADANIDIS, 2013) and PIM (FURINGHETTI, 1993; LIM; ERNEST, 1999), this research investigate the role of conceptual DMP production in pre-service mathematics teacher education, in regard of theconstruction of images of mathematics

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Summary

Introduction

We investigated the production of Digital Mathematical Performance (DMP) involving Public Image of Mathematics (PIM). In this article, we discuss aspects towards the public image of mathematics (PIM) regarding teaching activities developed with pre-service mathematics teachers, based on the collective production of DMPs in a knowledge mobilization course. As it is supported by the theoretical framework on DMP (BORBA; SCUCUGLIA; GADANIDIS, 2014; SCUCUGLIA; GADANIDIS, 2013) and PIM (FURINGHETTI, 1993; LIM; ERNEST, 1999), this research investigate the role of conceptual DMP production in pre-service mathematics teacher education, in regard of the (de)construction of images of mathematics. DMP refers to the integrated and innovative use of the arts and digital media in order to communicate a mathematical ideas

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