Abstract

My thesis insists on the theme of evil implicit in Sand's title to her pastoral novel, La Mare au diable (1846). The question of evil as death (le mal métaphysique) stands out in her preface, opens her novel, and defines the challenge faced by the hero in social prejudice (le mal social) and in the heroic journey to overcome internalized obstacles such as fear (le mal psychologique) in order to transform his values. The interplay between good and evil culminating in “the devil's pond” intuits Jung's theory of the convergence of good and evil and the necessity of the latter in the maturation process. The victory of the hero, Germain, is also that of Sand who rises above the ideological partisanship of her opening chapters to bring to life inspirational values open to all.

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