Abstract
The article deals with a comparative analysis of Alisher Navai’s novel the “Sabai Sayyor” and his first prosaic narrative in the Uzbek literature “Nasri Xamsai benazir”. It focuses on the issues as the restoration of the elements supporting the semantic colorness such as seven novels, seven colors. The comparative analysis of the preservation of the meaningful layer in the prose indicates the peculiarities of both texts. The sequence order of chapters of the poem is of great importance in the context of the meaning according to compositional layout. Since the role of part in the discovery of the essence of the work is in the focus of literary criticism on the basis of the poem and its prose version have been compared semantic-structural analysis. The role of prosaic statements in understanding Navoi’s work has been demonstrated.
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