Abstract
The mazurka, a Polish national dance in triple meter with strong accents frequently falling on the second or third beats of the measure, was known as early as the sixteenth century. Although it did not spread to neighboring countries to any extent until the seventeenth and eighteenth centuries, it strongly resembled the German Landler, a dance common to an earlier period in music history. Wiaczeslaw Paschalow' in his discussion of the Polish folk mazurka
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