Abstract
Early in 1957, an event perhaps unparalleled in the world of letters was reported from China. A new monthly magazine, Shih-k'an (Poetry), made its appearance in February of that year, its inaugural issue including a collection of eighteen poems by Mao Tse-tung. The appearance of Mao's poetry was not in itself an exceptional event. From ancient times down to recent decades, Chinese statesmen and military leaders have often displayed talent in the writing of poetry; and it appeared that Mao Tse-tung was carrying on the established tradition of a long line of strong rulers in China who desired to impress the world that they were not only victorious conquerors and vigorous administrators, but also accomplished artists.
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