Abstract
This article traces several interwoven traditions of considering waste and its materiality within fashion practice. Waste in fashion is commonly considered a problem to be solved, whether through reduced consumption, improved production processes, or recycling and upcycling practices. While the pragmatic and effective “waste management” approaches are key to developing a sustainable fashion industry they can also distance and obscure the materiality of waste, and in doing so overlook the potency and poignancy that waste can have. As a counter-approach to the problems of waste, this article explores a poetic element that relates to an aesthetic of the worn and wasted, and a fashion practice that elevates rather than disguises waste. This is discussed through a case study of experimental fashion label Maison Briz Vegas, reflecting on time, place and waste.
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