Abstract
The objective of this study is to investigate the historical role of Dunhuang murals as a tool for political and social control. By conducting a thorough analysis of the themes, elements, and textual content of the murals, the study findings revealed how these artworks reflected the political ideologies, social norms, and moral values prevalent during their creation. This article aims to clarify this perspective from a multidisciplinary standpoint, drawing upon insights from art history, political science, and sociology to provide fresh interpretations grounded in both theoretical frameworks and empirical evidence. The research underscores that art serves as a reflection of political will, engages in a dynamic interplay with social control, and serves as an innovative platform for political propaganda, thereby demonstrating a profound interconnection and intricate relationship between art, power dynamics, and societal structures.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
