Abstract

The Peony Pavilion is a story central to Chinese gender identity. It vividly portrays a story of the path of sexual individuation of a Chinese woman. In comparison to female images in Western stories, Chinese women are the active ones in their intimate relationships with men. They have been oppressed for many years because they are recognised as the subject of desire and as having reflexive aggression. However, with enough love, a girl dares to separate from her natal family, to fight against the patriarchal system, and to be herself. Identifying with the father’s aggression can facilitate her in this process.

Full Text
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