Abstract
Although N. Zabolotsky’s creative work constantly attracted researchers, there are still problems that have not been reflected in the scientific literature. This article aims to define the features of Nikolai Zabolotsky’s poetic discourse in the Russian literary tradition. To achieve the aim, the authors deal with a wide range of challenges: the study of Zabolotsky’s worldviews in the context of the general mentality of the epoch; identifying the specific nature of figurative and semantic interactions in the poetic language and the objective reality in Zabolotsky’s and the Symbolists’ poetry; establishing the features in the poetic re-creation of artistic existence. Zabolotsky’s poetic heritage, considered from historical, literary and discoursive approaches is the material of the research. The material of this article can be used in teaching Russian literature of the XXth century and also promote the discovery of new facets in studies on poetics and culturology.
Highlights
The discoursive approach is emphasized as a new way to study a poetic text, as it includes such components as «author» and «reader»
The authors deal with a wide range of challenges: the study of Zabolotsky’s worldviews in the context of the general mentality of the epoch; identifying the specific nature of figurative and semantic interactions in the poetic language and the objective reality in Zabolotsky’s and the Symbolists’ poetry; establishing the features in the poetic recreation of artistic existence
Zabolotsky’s poetic heritage, considered from historical, literary and discoursive approaches is the material of the research
Summary
The discoursive approach is emphasized as a new way to study a poetic text, as it includes such components as «author» and «reader». The foundations of the new artistic aesthetics were based on three elements: mystical content, symbols and the expansion of artistic impressionability This gave the literary process of the late XIXth and early XXth centuries a new impulse and dynamism, when the interaction of a whole series of artistic phenomena replaced the existing opposition of democratic and pure art. This cultural phenomenon includes the discourses of various poetic schools. Zabolotsky's position in Russian literary modernism can be described as «bordering» The reason for this «bordering poetry» lies directly in the poets’ disagreements about the role of mind in art
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