Abstract

This article deals with some of the poems by George Seferis (1900–71) that deploy the ethos and/or language of Greek (especially Aeschylean) tragedy to mythologize the events of the Greek Civil War (1944–49). This mythologizing process both triggers and conditions the reader’s reaction: s/he is invited to interpret contemporary history through patterns of meaning that derive from the most monumental classical myths and tragic texts. At the same time, by invoking Greek antiquity, the poems zoom out to provide a wide view, thereby detaching current events from their immediate context and re-inscribing them in the much larger framework of human history, thought, and culture. The poems examined include ‘Blind’ (December 1945), ‘Oedipal, ‘48’ (October 1948), and ‘Thrush’ (October 1946). It is shown how contemporary history is invested, in these poems, with the archetypal qualities of tragic myth. By the paradigmatic use of Greek (especially Aeschylean) tragedy Seferis helps define the interpretive framework of his poetry by providing insights into theworldview informing hisstance towards theGreek CivilWar and towards Greek tradition in general.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.