Abstract
It is argued that the painting in the Stoa Poikile described by Pausanias as an engagement between Athenians and Spartans at Argive Oenoe in fact refers to Oenoe in Attica, and depicted the arrival of the Plataean contingent prior to the battle of Marathon. The dependence of Herodotus on the paintings in the Stoa Poikile for his account of Marathon is discussed.
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