Abstract

This study addresses a longstanding historical and archaeological problem at the central Cretan urban centre of Knossos. This is the so-called ‘Archaic gap’, an apparent dearth of evidence for sixth-century BCE material culture across the extensively excavated city. The concept of a pronounced Knossian decline or recession at this time has been reaffirmed in recent years, with widespread repercussions for Cretan archaeology. By reconsidering ceramics from the Royal Road North and Unexplored Mansion excavations, as well as situating these deposits within their urban and regional contexts, I question the epistemological foundations of the Knossian gap and provide new directions for identifying sixth-century Knossian material culture. I propose that the apparent ‘gap’ is a product of several factors: (1) a relative disinterest in imports in sixth-century Knossos, (2) a dispersed, rather than densely nucleated, urban settlement pattern, and (3) a previously unrecognised conservatism in Knossian ceramics, where some of the ‘Orientalising’ styles traditionally dated to the seventh century were retained into the sixth. This phenomenon of conservatism differs in important ways from the ‘restraint’ or ‘austerity’ that has been previously proposed as characteristic of Archaic and Classical Crete.

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