Abstract

The purpose of this study is to announce the ngerebeg dance. The people of Tegallalang have the ngerebeg tradition, which is sacred in a traditional ceremony at Duur Bingin Temple. Unlike the ngerebeg dance, it is known as a new dance that is profane. The problems: 1) What is the form of the ngerebeg dance in the Tegallalang?. This problem is solved by using the R&D method. All data was collected through observation, interviews, focus group discussions, and literature studies. All data were analyzed qualitatively from the perspective of art studies. The output of this research then becomes an interpretive review in the process of developing research results that are tested and applied through the process of creating a new dance. It was then socialized with the Tegallalang people so that it would be institutionalized immediately. The results showed that the ngerebeg dance as a discovery in Tegallalang, this dance was performed by 10 dancers using tree branches, caru ceremonies, hoes, caping, bodag, tempeh, sickle, farmer's clothes, farmer's pants, body water colors, coconut leaves, palm leaf fronds, lelontek, flags and penjor to dance for 30 minutes with tree-patterned movements, animal-patterned movements, populist-patterned movements, broken movements, transitional movements, sitting movements accompanied by silence, sanghyang dance movements, wong samar patterned movements, worship movements to wong samar, the movement had a ceremonial ritual motif, the ngerebeg procession patterned movement, the farmer's movement and the mother's movement had the motif of carrying ceremony materials.

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