Abstract
ABSTRACT ‘Live minting’ is an emerging trend in exhibition design which offers visitors the opportunity to mint an NFT memento in the exhibition. This paper examines three examples of this current trend in museums which include Play Record Mint (PRM), at Kunsthalle, Zurich, Life After Bob at Light Art Space (LAS) Foundation, Berlin, and Unsupervised at Museum of Modern Art (MoMA), New York. Using theories on the ‘museum experience’ drawn from scholars such as John Falk and Lynn Dierking (2011; 1992; 2008), this paper examines to what extent the NFTs in these examples contribute or challenge this idea. In doing so, this paper investigates the intersecting values associated with NFTs and argues that NFTs are a form of digital hybrid, a token that exists in a constant state of becoming a commodity, which has both potential benefits and implications for museum exhibition design.
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