Abstract
It is not scientific ingenuity that discovers Nature, but on the contrary it is the changing Nature that makes scientific research possible. Nonetheless, we are disposing of Nature as worthless consumer objects that alone could be bringing us to some sacred significance. In order to analyze the contradictions and pitfalls of the posthuman condition in a novel way, i.e., by means of research methodology, it would be desirable to approach artistic images such as Julier’s through the recent scholarship of Durafour and his idea of “econology”: images as “beings-in-between”, making the link between human and non-human nature. I hope to demonstrate how we, from our human position, should face and reconnect to the inhuman part of images.
Published Version
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