Abstract
AbstractThe myth of Oxford, which echoes and replicates the ideology of an unchanging world of privileged white youth, is a common trope in many films and literary works. This vision is, however, overlaid and underlaid with counter-traditions that decenter Oxford and instead insert Oxford upside down into other epistemologies, geographies, and networks. Some attempts at the transformation of elite institutions such as Oxford inadvertently serve to continue the centering of these same institutions. Coetzee argues that, instead of focusing on the histories of ascendant Black/black excellence and achievement at Oxford University, a more powerful way to relativize and decenter the institution is to document and emphasize histories and accounts of Black marginalization, failure, and disconnection.
Highlights
The myth of Oxford, which echoes and replicates the ideology of an unchanging world of privileged white youth, is a common trope in many films and literary works
In Jean Allman’s 2018 presidential address to the African Studies Association, “#HerskovitsMustFall? A Meditation on Whiteness, African Studies, and the Unfinished Business of 1968,” Allman called for self-reflection on the part of institutions and the association (2019)
The disciplinary vantage point for the article is twofold: I ask questions to do with time and historical change that have been formulated in African popular cultural studies, a field that pays persistent attention to social change (Barber 2018; Newell & Okome 2014)
Summary
The myth of Oxford, which echoes and replicates the ideology of an unchanging world of privileged white youth, is a common trope in many films and literary works.
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