Abstract
To commemorate the Great Fire, the Corporation of London commissioned Christopher Wren to design the Monument. This article identifies its formal sources in ancient Roman triumphal columns and in a sixteenth-century fluted Tuscan Doric column in Paris, in the inscription on the Column of Trajan, and in a passage from Ammianus Marcellinus. Textual models for the Latin inscriptions on the pedestal include Suetonius's Augustus, Seneca the Younger's Epistle no. 91, and Tacitus's Annals. The political situation in Restoration England cast references to Tacitus into oblivion, yet this commission demonstrates how Wren's knowledge of Latin had a determining effect on his architectural practice.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
