Abstract
The arrival of Lashin1on the Egyptian literary scene in the 1920s marked a turning point in the history of the short story: he was an outstandingly vigorous pioneer who developed the genre and brought its formative years to a close. His writings represent the culmination, in both form and content, of the work of previous writers and of his contemporaries. He was also the major figure of a versatile literary group, Jama⊂at al-Madrasa al Haditha (the Modern School), which played a decisive role in developing the Egyptian short story, extending its reading public, and shaping the characteristics of the new sensibility of that period. This group did not start as a proper literary school as the name implies, but rather as a gathering of enthusiastic young writers whose common dream of issuing a paper of their own, to express their views and publish their unconventional works, took almost a decade to be realised.
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