Mediating Antiquity in Mehmed ʿAli's Egypt: Rationalism and Its Limits in Rifaʿa al-Tahtawi's Ancient History Textbook

Abstract

The major project of Arab Nahda studies since the mid-2000s has been to develop an understanding of the Nahda that goes beyond the movement's own self-understanding; that is, beyond its rhetoric of “awakening” (the literal sense of nahḍa), national renewal, and rupture with the recent past. Scholars have approached this task in a variety of ways, notably by retracing continuities between 19th-century Arabic cultural production and that of earlier centuries; by analyzing the economic underpinnings of the culture of the Nahda and the salience of local class interests in its formation; by studying the relevance of transnational circulations of ideas; by investigating popular culture; and through detailed studies of individual figures and of subjective experience in the period.1 A central challenge in this reconceptualizing of the Nahda has been that of accurately identifying and explaining the shifts within the era; that is, in a way that neither simply reproduces the movement's conception of itself, nor fails to appreciate properly the social transformations of which the Nahda was a part. This challenge has been tackled with impressive results in certain domains of cultural production, notably the intersection between print culture and Islamic thought.2