Abstract
Part I:Matter 1. The matter of the medium: some tools for an art-theoretical interpretation of materials - Ann-Sophie Lehmann 2. The matter of ideas in the working of metals in early modern Europe - Pamela H. Smith 3. On the origins of European painting materials, real and imagined - Anne Dunlop 4. Gold coins and gold leaf in early Italian paintings - Irma Passeri Part II: Practices 5. The 'Genealogy of Jean le Blanc': accounting for the materiality of the medieval Eucharist - Aden Kumler 6. Lead white's mysteries - Spike Bucklow 7. Material distinctions: plaster, terracotta and wax in the Renaissance artist's workshop - Eckart Marchand 8. Rocks and reverence: Inka and Spanish perceptions of stonework in the early modern Andes - Carolyn Dean Part III: Cultural logics 9. Precious stones, material beings: performative materiality in fifteenth-century northern art - Brigitte Buettner 10. Carving life: the meaning of wood in early modern European sculpture - Christina Neilson 11. Arti povere, 1300-1650 - Michael Cole 12. Polish stone, Venetian glass, and red Hungarian marble: the materials of a Renaissance chapel in Jagiellonian Poland - Katie Jakobiec 13. Reveal or conceal: chopines and the display of material wealth in early modern Valencia and Venice - Elizabeth Semmelhack 14. Entanglements of body, text and stone: the crafting and connoisseurship of inkstones in eighteenth-century China - Dorothy Ko Index
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
