Abstract
In 2015 an essay by the architect Marc Perelman was printed in Le Monde claiming Le Corbusier was a fascist and that the French academy had whitewashed this from architectural history. The 2015 exhibition Le Corbusier: Mesures de l’homme, a major retrospective of the architect, held at the Centre Pompidou was adduced as evidence since it did not mention Le Corbusier’s politics, despite three French books on Le Corbusier’s fascism appearing in 2015, and the scandal that erupted around them. The letter was signed by myself, Zeev Sternhell, Xavier de Jarcy, Marc Perelman, and Daniel de Roulet; and reprinted in English by Verso in January 2017. The Fondation le Corbusier, who are unhappy with this turn of events, wrote to me asking me why I signed the letter. This essay will attempt to answer the question by evaluating the French quarrel, on both sides, and allegations about Le Corbusier’s fascism.
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