Abstract

This paper, by referring to the archaeological reports and local gazetteers and comparing images of porcelain wares, makes a comprehensive and in-depth analysis of the layout of power and space in Jingdezhen Imperial Factory according to its geography, geomancy, security management, space regulation, architectural features, production characteristics and production layout. It contends that the Imperial Factory which integrates porcelain making factory with local government is the embodiment of absolute monarchy in ceramic culture. The factory is located on Zhushan mountain, the center of Jingdezhen’s industry, business and transportation. Being at the center, it gives off an air of prestige and majesty, overlooking dominantly the surrounding private kilns. It has also turned the political system into power operation, setting up not only workshops but also administrative offices. By taking advantage of the best resources, it has produced porcelain for imperial family and court. Its specialized production has solved the contradiction between complicated technology and numerous procedures of production. The shape, color and pattern of the porcelain wares are strictly stipulated and the best of the best wares are demanded. Hence the porcelain production is featured with longest firing, largest scale, superb craftsmanship, and best kinds of wares. All of these reveal the process and rule power and space are intersected and different cultures overlapped.

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