Abstract

In recent years, the Chinese government has attached great importance to the revitalization of traditional culture, and many traditional ceramic cultures have been revitalized and developed one after another. Xiaopi kiln ceramics is one of the most representative cultural symbols in Jinxi County, Jiangxi Province. Due to local economic backwardness and other reasons, the excavation of Xiaopi kiln ceramic culture has not received due attention. However, with the economic rise of Jinxi County and the people’s pursuit of cultural self-confidence, the development of Xiaopi kiln ceramic culture has been supported by the local government and people. Therefore, entrusted by the Jinxi County Government, combined with the goal of unfolding the Xiaopi kiln ceramic culture, this study uses empirical research methods to carry out sampling statistics on 115 ancient ceramics unearthed using the Xiaopi kiln technique, so as to find out the technical characteristics of Xiaopi kiln ceramics, such as shape, glaze color, decorative pattern, and firing. Through descriptive analysis, this paper summarizes the industry positioning of Xiaopi kiln ceramics, which lays a theoretical foundation for the development of the Xiaopi kiln ceramic culture industry.

Highlights

  • It will summarize the relationship between each type and glaze color in the proportion of 115 ceramics to further explain the division of ceramic types and glaze colors in Xiaopi kiln

  • To ititcan be that ceramic industry and Jingdezhen white porcelain and

  • Realize the rapid development of Xiaopi kiln ceramics, researchers engaged in Xiaopi kiln ceramic industry and Jingdezhen white porcelain and Longquanengaged celadon.inInXiaopi order to re‐

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Summary

Introduction

One of the famous kilns in Chinese history, is the most representative cultural symbol in the traditional culture of Jinxi County, Jiangxi Province (Xu and Zhao 1992). It has a history of more than 2000 years. It was founded and burned in the Western Jin Dynasty, flourished in the early Northern Song Dynasty, and declined in the late Ming Dynasty. It has formed its own system of production since ancient times. It was evaluated by Lu Yu as a historical famous kiln only second to Yue kiln and Dingzhou kiln in the Tang Dynasty, ranking the third-largest famous kiln in China at that time

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