Abstract
This paper aims to explore Helen Cixous’ postmodernist trends in her formulations of a new form of writing known as ecriture feminine. The paper attempts to validate the view that Cixous’ “The Laugh of the Medusa” is regarded as the manifesto of postmodern feminism. This is done by attempting a critical discourse analysis of Cixous' narrative of ecriture feminine. Deploying a multifaceted-framework, ranging from postmodernism to psychoanalysis through poststructuralist theory and semiotics, the study reveals Cixous' metamorphosing and diversified trend of feminist writing that transposes the subversion of patriarchy into a rather bio-textual feminism, known as bisexuality. The paper highlights the significance of Cixous’ essay as a benchmark of postmodern feminism.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal of Language and Literary Studies
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
