Abstract
Previous articleNext article No AccessThe Language of Humanism and the Language of Sculpture: Bertoldo as Illustrator of the Apologi of Bartolomeo ScalaAlessandro ParronchiAlessandro Parronchi Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Journal of the Warburg and Courtauld Institutes Volume 27, Number 11964 Published for the Warburg Institute and the Courtauld Institute Views: 1Total views on this site Citations: 2Citations are reported from Crossref Article DOIhttps://doi.org/10.2307/750514 Views: 1Total views on this site Citations: 2Citations are reported from Crossref Copyright © 1964 by The Warburg Institute. All rights reserved.PDF download Crossref reports the following articles citing this article: Alison Brown Lucretius and the Epicureans in the Social and Political Context of Renaissance Florence, I Tatti Studies in the Italian Renaissance 9 (Oct 2015): 11–62.https://doi.org/10.2307/4603719 Hildegard Utz , and Olga Raggio Skulpturen und andere Arbeiten des Battista Lorenzi, Metropolitan Museum Journal 7 (Oct 2015): 37–70.https://doi.org/10.2307/1512643
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