Abstract
Previous articleNext article No AccessThe Compagnia de' MagiRab HatfieldRab Hatfield Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Journal of the Warburg and Courtauld Institutes Volume 33, Number 11970 Published for the Warburg Institute and the Courtauld Institute Views: 10Total views on this site Citations: 7Citations are reported from Crossref Article DOIhttps://doi.org/10.2307/750893 Views: 10Total views on this site Citations: 7Citations are reported from Crossref Copyright © 1970 by The Warburg Institute. All rights reserved.PDF download Crossref reports the following articles citing this article:Emanuela Ferretti Prophecies and Ruins: Architectural Sources for Leonardo’s Adoration of the Magi, I Tatti Studies in the Italian Renaissance 23, no.22 (Dec 2020): 273–302.https://doi.org/10.1086/710958Judith Bryce Decoding Code Name 16: Was Francesco Caccini the Host of the Donati-Ardinghelli Wedding Celebrations of 1465?, I Tatti Studies in the Italian Renaissance 23, no.11 (Jun 2020): 7–32.https://doi.org/10.1086/708192Andrew Hui The Birth of Ruins in Quattrocento Adoration Paintings, I Tatti Studies in the Italian Renaissance 18, no.22 (Dec 2015): 319–348.https://doi.org/10.1086/683137 ALEXANDER NAGEL Twenty-five notes on pseudoscript in Italian art, Res: Anthropology and aesthetics 59-60 (Oct 2016): 228–248.https://doi.org/10.1086/RESvn1ms23647792 Timothy J. McGee Dinner Music for the Florentine Signoria, 1350-1450, Speculum 74, no.11 (Oct 2015): 95–114.https://doi.org/10.2307/2887271 Arnold Victor Coonin Portrait Busts of Children in Quattrocento Florence, Metropolitan Museum Journal 30 (Oct 2015): 61–71.https://doi.org/10.2307/1512950 Gabriel Blumenthal THE SCIENCE OF THE MAGI: THE OLD SACRISTY OF SAN LORENZO AND THE MEDICI, Source: Notes in the History of Art 6, no.11 (Sep 2015): 1–11.https://doi.org/10.1086/sou.6.1.23202344
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