Abstract
This article traces commonalities between the practices of visual animation and modern law through a political and jurisprudential reading of the animated film Ratatouille (2007). It contends that Ratatouille’s treatment of the ontological and anthropological problem of the human soul not only addresses the philosophical complexities inherent to animation, but also the ideological and material conditions that currently govern the practice of egaliberte in contemporary liberal democracies.
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Schedule a callMore From: International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique
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