Abstract
The article argues that the pre-Priestly Jacob story is mainly a unified and coherent composition that was written in Judah in about the mid-6th century BCE. It was composed as part of a larger literary-historical work that narrated the history of Israel’s three ancestors and reflects the reality in the land after the Babylonians conquered Jerusalem and annexed Judah and all other neighbouring kingdoms. The patriarchal story-cycle was intended for an audience comprised of the elite and broader community of the ‘New Israel’—the inhabitants of the former kingdoms of Israel and Judah. Some of the narratives are based on oral traditions whose scope and detail cannot be established, which the author augmented by consulting a few written sources and by adding various literary and ideological elements from his own creative imagination. His composition represented a major step towards generating a sense of unity among all those remaining in the land, namely the devotees of YHWH, and it shaped the image of the earliest history of Israel for all generations to come.
Published Version
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