Abstract
This visual essay aims to incisively intervene in the colonial construction of “Aboriginality,” which continues to have a significant bearing on the nature of self‐identification for Indigenous people in Australia. It elaborates culturally appropriate and attenuated models for representing a singular Gurindji‐specific history, and the contemporary experience for those culturally affiliated with the Gurindji people—whether on customary lands or part of a dispossessed sub(altern) group within one’s own country. Through a body of experimental moving‐image/video/film/sound and body/performance, shown in conjunction with multimedia, including installation, it probes a dynamic and fluid methodology to involve family and community members in a practice‐led research from an Indigenous auto‐ethnographic, performative immersive, insider/outsider standpoint.
Published Version
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