Abstract
Mobile applications, (data)vizualisation participation flat screens, so-called “immersive” scenographic units for visitor’s photographic staging: this article seeks to understand the interests of cultural institutions that underlie the multiplication of devices for encouraging photographic participation in recent years. Based on doctoral research carried out at the Galeries nationales du Grand Palais between 2013 and 2017, I will question the role of the injunction to public participation by showing that it seeks to support the digital communication strategy of an institution that favours the use of digital platforms.
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