Abstract

Buddhist music was introduced to Japan from China in the 6th century and marked the origins of chanting in temple and court rituals by Japanese monks. However, after the Meiji Restoration, Buddhist music underwent a transformative phase due to policy changes and western influences. Additionally, technological developments in music and increased scholarly attention have played a significant role in restoring lost ancient Buddhism music. This paper focuses on current research landscape of modern and contemporary Japanese Buddhist music, primarily addressing two issues: the diverse forms of modern Japanese Buddhist music and the underlying reasons behind their diversification. The paper argues that the temple economy stands as the main factor influencing both the popularization and diversification of Buddhist music in Japan. By exploring these critical aspects, the study contributes to a deeper understanding of the evolution and cultural significance of Japanese Buddhist music in contemporary society.

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