The Influence of Classical Chinese Poetry on the Innovation of Ezra Pound

Abstract

Recognised as one of the 20th century’s most challenging poets, Ezra Pound made a major contribution to modernist poetry. Inspired by ancient Chinese poetry, Pound was drawn to its vivid imagery and concise diction. He was determined to supersede the Victorian style of complicated verse and breathe fresh energy into poetry. This essay provides a detailed analysis of Pound’s most well-known composition, In a Station of the Metro, which is characterised by its modern and exotic elements. Contrasted with his translation work, Taking Leave of a Friend, selected from Cathay, this paper aims to analyse Pound’s renewal of imagery, language and metres. After the World War I, Pound became increasingly engaged with Chinese Confucian literature and resolved to write a chapter in his modern epic poem, Cantos, to address the indispensable role of Confucian culture in the restoration of post-war civilisation. Therefore, this article additionally evaluates his innovation within the context of his China Cantos and further investigates how Pound’s imagism paved the way for modernist poetry. It is also hoped that this essay will serve as a valuable resource for future studies on related topics.