Abstract
The significant shift in the Fine Arts, who led the avant-garde movements and creative which appeared in the modern, specifically in the mid-nineteenth century and early twentieth century era path, embodied in a clear show of new aesthetic value rejects traditional methods put in shape and color qualities She described the movements subjectivity or no formal, was intended to determine the direct function of expression and speech language in the visual arts away from the representation and simulation of reality was accompanied by the appearance of those fine movements directed towards a global approach to design carries features and clear in its organizations formalism of the most important move away from the symmetry and the adoption of rather than the system and attention to the job which was considered one of the basic principles of beauty and order to reach the roots of the global method in graphic design stages undergone by the design history, combined with Fine art avant-garde movements, In the most important historical era, appeared at the researcher problem and found worthy Find summed it up by asking follows what is the impact of modern art movements on graphic design in the modern age in determining the formal building and expressive attributes and achieve career goals aesthetic from here came the goal of research statement formalism and organizational variables for graphic designer and performance expressive and comparing methods affected artistic movements of the modern era. The research based on analytical descriptive approach to group samples came out of her with Group of conclusion : findings and conclusions, namely: contributed to modern art in creating standards performance today, a new process aesthetic design, which was limited to the aesthetic drawing and techniques to express them into a collage techniques and photo montage about metaphor expressive use of materials has not been touched before., To achieve the formal organization of the elements with the background, whether from during the mathematical logic and engineering or coincidence industry led to a shift in the design process and the emergence of new space relationship directly influenced in a clear transformation of the design
Highlights
The research based on analytical descriptive approach to group samples came out of her with Group of conclusion : findings and conclusions, namely: contributed to modern art in creating standards performance today, a new process aesthetic design, which was limited to the aesthetic drawing and techniques to express them into a collage techniques and photo montage about metaphor expressive use of materials has not been touched before., To achieve the formal organization of the elements with the background, whether from during the mathematical logic and engineering or coincidence industry led to a shift in the design process and the emergence of new space relationship directly influenced in a clear transformation of the design
.1972 -6اًؾربي رمزي ،اًخعميم اًىرافِكي ،دار اًَوسفن تيروث.3111 ، -9ؼفِف بهًسي ،تاريخ اًفن واًؾٌلرت ،اًطحؾة الجدًدت ،دمضق .3493 َ -8لود بمهز ،اًخَاراث اًفٌَة المؾاصرت ،ط ،٢شرنة المطحوؽاث ٌَخوزًػ واًًشر ،تيروث.٢٠٠٢ ، -4مؾتز ؼياد ـزوان اسٌلؼَي ،مذقيراث اًزمان والمكان في تًِة المَعق المؾاصر ،ط ،،3دار ؽلاء الدٍن،
Summary
()33 -1الدادا ):(Dadaism حرنة فٌَة (ً )3431-3434ىذاة اورتَون وفٌاهون كادُا اًضاؼر اًفروسي حرٌسخان تازارا و تميزث من خلال ؼيصر اٍتمرد اًفوضوي ،ودور اًعدفة في اًؾمََة الاتداؼَة ،سؾت الدادائَة من خلال اؼٌلًِا لخَق ظدمة ٌَمضاُد من خلال ؽدم احترام وثوكير اًخلاًَد المؾخادت ،32ونٌل ًلاحظ في (اًضكل )33حِر عمد اًفٌان الى جضوًَ احد اًرموز اًسائدت في اًفن وهي ًوحة الموناًيزيا ٌَفٌان ًَوناردو دافًشي ،واًتي مَت كيم حٌلًَة ثاتخَ في ثلك اًفترت و ماًَيها لدال المربت ،حين اضاف ًِا اًضارة ًَحلق صجمة الى المخَلي وًثير اهدداَُ .وكا ًِا تازيرا ؽلى كل ما له ؽلاكة باًفٌون اًحصرًة ،الدة ،اًضؾر ،اًفن اًفوثوـرافي ،هغرياث اًفن ،المسرخ ،واًخعميم.33 هجرث الدادا اًفٌون اًخلََدًة مثي اًرسم واًيحت ،الى اسخخدام اًخلٌَاث والمؾداث مثي اًىولح والموهخاح اًعوري والمعيوؽاث الجاُزت 34 نٌل حاول اًفٌان (مارسَي دوصاة) في عمله (صكل )31هسر اًوكار واثارت المخَلي تؾمله الذي لم ٌسخؾن باًعورت تي باًشي هفسَ ًَىون انثر ثبزيرا و احذجاخا .وتيفس اًوكت اراد ان ًغِر بان مدولة موكؾة من كدي ظاهؾيها ثخحدانا ان هلول انها ًُست عمي فني35 .و نجد بن ًُس ُياك من حواة نهائي ًيا ما إاذا كان فٌا بم لم ٍىن36 -6اًسرياًَة
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