Abstract

ABSTRACT The history of the Great Patriotic War has become post-Soviet Russia’s universal language for political discussion and the only effective “bond.” As the most advantageous narrative from the perspective of the regime’s interests, it is this narrative of war that the Kremlin seeks to control above all. Memory of the war has been “appropriated” by the state, and the more freedom it has to manipulate this, the less veterans are able to challenge its triumphal mythmaking. However, the memory of war is, for most Russians, not limited to any official narrative in school texts, books, or films. For each family, it is also a family history, an object of pride, and a memory of tragedy. The state’s appropriation of the war and the pressure of “military-patriotic propaganda” have sparked resistance among a significant portion of society, along with a desire to affirm their own family memories. The “Immortal Regiment” was originally an attempt to seize power from the state monopoly and to assert the history of the war as a family history, one not inscribed in the state narrative alone, but that also subordinates the state narrative to family memory. Millions of Russians took to the streets to assert their right to history, the most powerful political statement in Russia’s entire post-Soviet history. The state has tried to paint the Immortal Regiment as a loyalist movement, because it speaks to the same topic that constitutes the core of the regime’s own political ideology, the Great Patriotic War. Meanwhile, it is clear even to the regime itself that this movement is discussing the war differently, in fact undermining the state’s interpretive monopoly on the military past and, consequently, its right to make political statements that exploit the theme of the war. It nevertheless remains too early to say whether the state has fully integrated this action into the propaganda mainstream. Furthermore, the power of the Immortal Regiment is even forcing propaganda to adapt to the demands of family and personal memory.

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