Abstract
The article is dedicated to the study of the religious problems of Vs. S. Solovyov’s historical novel “The Princess of Ostrog”, the central plot conflict of which is an open struggle between the Orthodoxy and the Catholicism that broke out in the 16th century in The Polish- Lithuanian Commonwealth. In the process of analysing the designated aspect of the text the author comes to the conclusion that the images of Konstantin, Halshka and Beata Ostrozhsky considered in the paper are a clear embodiment of the three possible life aspirations of the people who lived in the era recreated by the author: the struggle for the Orthodoxy in the Grand Duchy of Lithuania; asserting one’s right to profess the Orthodoxy; propaganda of the Catholicism.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
