Abstract

The image of Ukraine in the symphonic frescoes «Taras Bulba» by Sergey Turneev

Highlights

  • The choice of the researchtheme and material was determined by the fact that the author of the article played the percussion part in the performance of the symphonic frescos «Taras Bulba» by S

  • Turnieiev’s Symphonic Frescos joins reception of picturesque as a phenomenon and as a concept and manifests itself in different semantic connotations; 1) picturesque as an artifact of fine art; 2) picturesque as an attribute of the performance; 3) the picturesque principle as a factor of establishing links between the visual and other types of art; 4) the picturesque principle of thinking and composition implemented in the epic symphony is implicitly present in the symphonic frescos; 5) the picture of the world in accordance with the definition of I

  • The connection with the music for drama performance, which was the basis for the creation of the symphonic frescos, is maintained through thinking in pictures which make up the stage process

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Summary

Introduction

The choice of the researchtheme and material was determined by the fact that the author of the article played the percussion part in the performance of the symphonic frescos «Taras Bulba» by S. A true creator seeks to unite in his work the subconscious, intuitive and conscious rational. Thence there is a need to conceptualize the performance of the. The theoretical basis of the research was the works representing three directions in the study of picturesque in musical art: 1) the picturesque principle of composition in an epic symphony: works by I. Vynokurova; 2) genre of symphonic picturesque: research by O. Yendutkina (Shyriaieva); 3) history and typology of picturesque and pictorial images of music: Ph.D. thesis by N.

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