Abstract
During the first two decades of the 21st century, an increasing interest of Russian policymakers towards the Soviet past can be recorded, which is reflected in the modern Russian mass culture (movies, literature, music) providing more and more often a fruitful approach to reappraise the role of pioneer camps in the Soviet Union to its people. Based on an example of two significant mass culture products of the 2010s with different languages ‒ Aleksandr Karpilovskiy’s movie “Private Word of a Pioneer 2“ (2015) (rus. “Chastnoe pionerskoe. Ura kanikuly!!!”) and the novel “Food Block“ (2018) (rus. “Pishcheblok”) by Aleksey Ivanov, this article for the first time illustrates the image of two late Soviet pioneer camps “Youth” (1979) and “The Stormy Petrel” (1980) and gives analysis of their features with the help of descriptive-functional and comparative research methods. As a result, the semantics shows that one pioneer camp is a safe place for everyone and another one poses risks and it is more dangerous to be within the camp than outside. While in the “Youth” camp, the teaching staff devotes much attention to health promotion and cultural development of young pioneers, the main purpose of “The Stormy Petrel” is the ideological education. In both cases, we see educational formalism in the work of educators. Children and teenagers of the late Soviet era are seemingly burdened with playing young Leninists. The protagonist in the movie puts his personal goals far above the public interests in his personal hierarchy. By contrast, the protagonist of the novel is seeking for a true community in the pioneer camp and causes rejection and misunderstanding by others. In both late Soviet camps, the value of pioneer attributes (ties and badges) is noticeably decreased. In “Stormy Petrel”, their meaning is even audaciously perverted. Unreserved nostalgia for childhood, dominating in two works, does not prevent their creators to a greater (novel) or lesser (movie) extent to make a critical assessment of the late Soviet pioneer camps. Keywords: Soviet pioneer camp, A. Karpilovskiy “Private Word of a Pioneer 2”, A. Ivanov “Food Block”, late Soviet era, nostalgia, criticism
Highlights
В первых двух десятилетиях XXI века в российском руководстве наблюдается повышение интереса к советскому прошлому, что находит своё отражение и в современной массовой культуре, в которой всё чаще, помимо прочего, происходит осмысление образа пионерского лагеря
During the first two decades of the 21st century, an increasing interest of Russian policymakers towards the Soviet past can be recorded, which is reflected in the modern Russian mass culture providing more and more often a fruitful approach to reappraise the role of pioneer camps in the Soviet Union to its people
“Pishcheblok”) by Aleksey Ivanov, this article for the first time illustrates the image of two late Soviet pioneer camps “Youth” (1979) and “The Stormy Petrel” (1980) and gives analysis of their features with the help of descriptive-functional and comparative research methods
Summary
В первых двух десятилетиях XXI века в российском руководстве наблюдается повышение интереса к советскому прошлому, что находит своё отражение и в современной массовой культуре (кино, литература, музыка), в которой всё чаще, помимо прочего, происходит осмысление образа пионерского лагеря. Образ позднесоветского пионерского лагеря в произведениях российской массовой культуры 2010-х годов Каникулы!!!» (2015) режиссёра Александра Карпиловского и романа «Пищеблок» (2018) писателя Алексея Иванова – в данной статье впервые рассматривается изображение позднесоветских пионерлагерей: «Юность» (1979) и «Буревестник» (1980).
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.