Abstract
Through the theoretical framework of Jacques Lacan's “mirror stage,” this study employs statistical analysis to code the frequency with which Spielberg utilizes the “gaze” in his work to emotionally influence viewers by providing them with desirable images of the human face. This study examines if these psychologically desirable images are used with more frequency in Spielberg's successful films, thus providing quantitative support for the assertion that Spielberg “manipulates” his audience through his signature style.
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