Abstract

From time immemorial by practicing customs and rites in their collective forms of manifestation, the inhabitants of the Mioritic space felt the need for theatrical representations, where rudimentary elements with a spectacular character can be discerned. This cultural spirituality background, emanating across centuries, favored the establishment of a dramatic art much cherished by the natives. Thereby, the distant origins of theatrical art are to be found in the depths of the mythological and folkloric substratum of our nation, the materialization of myths and magical rituals fueling its subsequent evolution. Namely, the popular theater has inscribed in the traditional Romanian culture an original species of folklore that leads to the discovery and knowledge of the evolution of the theatrical image, to the reconstruction of archaic theatrical visions and the valorization of this cultural heritage. All the performances could not but be dressed in the guise of a scenography, supported by the ensemble of stage costume. Although the performances were often played on improvised stages, they were not without scenery and stage arrangement. Gradually, these enactments evolve and acquire full-fledged forms and features of a professional scenography.

Highlights

  • The performances were often played on improvised stages, they were not without scenery and stage arrangement

  • Toate relatările din presă despre decorurile spectacolelor jucate în primii ani de activitate a Teatrului Popular, se referă doar la niște fraze generale: „o impresie bună au produs decorurile”, „este remarcată calitatea decorului izbutit” sau

  • Observăm implementări rudimentare ale scenografiei în cele mai timpurii reprezentări spectaculare, care evoluând, spre începutul secolului XX capătă forme și trăsături desăvârșite ale unei scenografii profesioniste

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Summary

Introduction

Nu avem date despre organizarea unor reprezentații teatrale în limba română în prima jumătate a veacului al XIX-lea în Basarabia. Aflăm că pe scena teatrului din Chișinău s-au jucat piese românești înainte de anul 1865. Începutul turneelor artistice în Basarabia au fost puse de trupa din Iași a lui Matei Millo și consideră că primul turneu ar fi avut loc pe la sfârșitul deceniului cinci – începutul deceniului șase al sec.

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