The Ego that Dedicated to Freedom in the Poetic World of Bui Giang

Abstract

Participating in as sideliner, Bui Giang was strange in both his thought and poetry. For him, poet did not express his thought and self in poetry, but was itself. The denial of expression status of the language was concept that poetry was like aesthetics of another, where or thing in was what was signified. It meant that Bui Giang freed the artist from the constraints of language. Only when freedom and liberation must go above and beyond the fetters of words, poet could be completely free in the meta-language of the poetic world. According to the assessment of many literary researchers and critics, Bui Giang's brought the spirit of postmodern through the confused and cynical language game to dedicate to freedom. From the theory and practice of the language game, Bui Giang gradually rejected the status of a sideliner to put the periphery into the center, forming human migration of minority line of poetry.