The effect of dualism on gender roles portrayed in film production

Abstract

This paper examines the mechanism by which dualism, gender roles, and films interact with each other across three fields. It draws on Lacan's mirror stage theory to elaborate on how the opposition between males and females is formed and gradually triggers gender roles, where the yin-yang theory of Eastern philosophy is not considered to play a significant role in the interaction. The thesis further stresses the view that problematic gender stereotypes are pervasive in narrative films and genre films. Gender inequality in the casting of film protagonists, gender-stereotypical performances, and the objectification of women by the camera undermine the unity of humanity and indoctrinate people with gender norms. By offering a review of previous research on dualism and gender roles, the study suggests that dualism contributes to gender roles, which are then reinforced in films and entrench spectators' dualistic thinking. Breaking this vicious circle requires a joint effort from filmmakers and spectators.