Abstract
Abstract This essay examines the first major American debate over aerial warfare as a case study in the relationship between visual spectacle and warfighting technologies. In the early 1920s, Brigadier General William “Billy” Mitchell mounted a short but intense advocacy campaign to win public approval for a standalone and fully supported air force. He justified his arguments with sanitized depictions of the warplane's idealized deployment. I call such depictions technological spectacles, and I parse their three hallmarks in Mitchell's advocacy: the dissociation of violence and destruction, the self-justification of technology, and the confusion of possibility for probability. I demonstrate that these habits of spectacle pervaded not only Mitchell's rhetoric but the coverage he received in the press. The essay establishes Mitchell as a key figure in the history of American rhetoric about military technology and, in the process, offers new historical context and critical vocabulary for diagnosing rhetorics of technological spectacle.
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