Abstract
This article explores representations of the digital afterlife in contemporary speculative TV seriality within the broader context of their attitudes towards the fate of religions and religiosity in contemporary society. Specifically, it examines the miniseries Devs, the Black Mirror episode ‘San Junipero’ and the dramedy series Upload. Set in a near future, these series present distinctive and contrasting views on the future of religion in the public sphere, as well as in private life, and on the development of secularization processes, along with the entanglements between secular, religious and moral concerns. The article highlights how texts such as those considered exemplify the current transitional phase western societies are experiencing, wherein conventional narratives of secularization and more complex deconstructions of the secular–religious divide coexist. Through the various ways in which a futuristic yet imaginable setting like the digital afterlife is envisioned and represented, these texts articulate postsecular and hypersecularized accounts of near-future societies. The digital afterlife thus emerges as a tool for exploring different world-views, forms of morality and conceptions of everyday life and the meaning of human existence.
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