Abstract
This article traces the history and evolution of Music Programming, from the early off-line synthesis programs of the MUSIC N family to modern realtime interactive systems. It explores the main design characteristics of these systems and their impact on Computer Music. In chronological fashion, the article will examine, with code examples, the development of the early systems into the most common modern languages currently in use. In particular, we will focus on Csound, highlighting its main internal aspects and its applications. The text will also explore the various paradigms that have oriented the design and use of music programming systems. This discussion is completed by a consideration of computer music eco-systems and their pervasiveness in today’s practice.
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