Abstract
How do we understand the presence of the grotesque in negotiations of democratic life after a revolution? At the peak of procedural democratic consolidation, carnivalesque revelries in Tunisia became the object of public aporia and repugnance. The dissimilar interpretations of these revelries across generations evince an agonistic process of prizing open both the parameters of nationhood and democratic ideals within existing social relations. The concept of the ‘democratic grotesque’ captures the sensorial and affective ways Tunisian citizens negotiate the affordances and limitations of democracy in the post-revolutionary nation. The democratic grotesque has the double potential to revise intellectual and public understandings of democratic dispositions that emanate from liberal democracy and to blur the boundaries between revolution and democracy.
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