Abstract
After the publication of On the Origin of Species by Means of Natural Selection, the controversy over the issues of design, teleology and divine intervention in nature were renewed. This paper looks at Darwin's correspondence with Harvard botanist Asa Gray from 1860–1863 and investigates how Darwin rejected notions of design due to his immersion in William Paley's categories. Gray, in contrast, was able to move past Paley's influence and find consistency in affirming both evolutionary theory and natural theology.
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