Abstract
The article investigates, by way of close reading, the literary unit that opens the seventh among the Songs of the Sabbath Sacrifice. The study begins with a text-critical analysis of the poem based on its extant witnesses, including the many corrections contained in its best preserved copy (4Q403 1i 31–40). It then advances a new proposal concerning the poetic structure of the text, relying on linguistic and stylistic evidence. The literary delineation allows one to discern the generic characteristics of the poem, which place it within the tradition of scriptural hymns. These form-critical insights form the basis for a renewed and nuanced appreciation of the theological message of the hymn.
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